Overview

Sol LeWitt / Gerhard Mayer / Marietta Hoferer / Marco Maggi / Jim Campbell / Wendy Hough.

 

Sol LeWitt made his first wall drawing in 1968. In doing so, he asserted that the art object he was creating could be executed on any wall and that the artwork would change in each venue where it was recreated. By acknowledging that the wall was integral to the drawing itself, LeWitt changed forever the relationship of artworks to the spaces in which they are installed. Furthermore, he firmly ascertained the radical premise that art could be executed by someone other than the artist himself. These revolutionary answers to the basic sticking points of the (im)permanence, marketability and transferability of paintings on walls opened up tremendous possibilities for artists who have followed. This exhibition begins with two LeWitt wall pieces from the early 1970’s, made with graphite and black crayon, and explores different approaches to working directly on the walls of the gallery by five contemporary artists.

 

Gerhard Mayer, known for his small ink drawings, transforms one into a large-scale, commercially fabricated vinyl transfer applied directly to the wall. Marietta Hoferer will “draw” with tape. Marco Maggi’s piece deals, quite typically, with language as incomprehensible abundance of information – in this case, the language is Braille. Jim Campbell’s work represents moving imagery by casting light on a wall in the most minimal way. Wendy Hough will be be creating her chalk drawing during the opening reception and through the duration of the exhibition.

Works
  • Sol Lewitt WD 293 lithography crayon on wall (per artist's instructions)
    Sol Lewitt
    WD 293
    lithography crayon on wall (per artist's instructions)
  • Sol Lewitt WD 131
    Sol Lewitt
    WD 131
  • Marietta Hoferer Untitled, 2010 tape on wall dimensions variable
    Marietta Hoferer
    Untitled, 2010
    tape on wall
    dimensions variable
  • Still image of several black spotlights sticking out from the top of a white wall and pointing downward The LEDs in the spotlights shine multi-colored lights reflecting down the surface of the wall in elongated ellipses
    Jim Campbell
    Street Noise Variation, 2010
    custom electronics , LEDs
    dimensions variable
  • Marco Maggi Color Braille, 2010 27 slide mounts, cut paper, wooden brackets dimensions variable
    Marco Maggi
    Color Braille, 2010
    27 slide mounts, cut paper, wooden brackets
    dimensions variable
  • Wendy Hough Chalf Wall Drawing 4, 2010 chalk on blackboard paint dimensions variable
    Wendy Hough
    Chalf Wall Drawing 4, 2010
    chalk on blackboard paint
    dimensions variable
  • Wendy Hough Untitled I, 2010 graphite on paper 14 x 14 inches 35.6 x 35.6 cms
    Wendy Hough
    Untitled I, 2010
    graphite on paper
    14 x 14 inches
    35.6 x 35.6 cms
  • Wendy Hough Untitled II, 2010 graphite on paper 14 x 14 inches 35.6 x 35.6 cms
    Wendy Hough
    Untitled II, 2010
    graphite on paper
    14 x 14 inches
    35.6 x 35.6 cms
  • Gerhard Mayer 318, 2008 ink on paper 13 1/2 x 17 1/8 in 34.3 x 43.4 cm
    Gerhard Mayer
    318, 2008
    ink on paper
    13 1/2 x 17 1/8 in
    34.3 x 43.4 cm
  • Gerhard Mayer 178, 2000 ink on paper 13 1/2 x 17 1/8 in 34.3 x 43.4 cm
    Gerhard Mayer
    178, 2000
    ink on paper
    13 1/2 x 17 1/8 in
    34.3 x 43.4 cm
  • Gerhard Mayer "220", 02/2002, 2002 ink on paper 13 1/2 x 17 1/8 in 34.3 x 43.5 cm
    Gerhard Mayer
    "220", 02/2002, 2002
    ink on paper
    13 1/2 x 17 1/8 in
    34.3 x 43.5 cm
  • Gerhard Mayer 197, 2001 ink on paper 13 1/2 x 17 1/8 in 34.3 x 43.4 cm
    Gerhard Mayer
    197, 2001
    ink on paper
    13 1/2 x 17 1/8 in
    34.3 x 43.4 cm
Installation Views