BETWEEN THEM: An Installation Composed of Drawings
Todd Hosfelt combines approximately 200 drawings in an installation designed to reveal thematic and conceptual relationships across time and place. In drawings spanning the 16th to 21st centuries, from European Old Masters to work made utilizing technology, from South American geometric abstraction to photo-realism, drawing directly on the wall, drawing on three-dimensional objects, drawings made only of paper and one drawn both with and on graphite, this is an exploration of the intimacy, immediacy and pleasure of drawing.
Artists include Ruth Asawa, Antonio Asis, Chris Ballantyne, Rina Banerjee, Robert Bechtle, Judith Belzer, Dike Blair, Michael Buthe, Alexander Calder, Alessandro Casolini, Max Cole, Tyrell Collins, Bruce Conner, Jonathan Delafield Cook, Russell Crotty, Reed Danziger, Hugo de Marziani, Jay DeFeo, Gustavo Díaz, Fortunato Duranti, Jacob El Hanani, Nicole Phungrasamee Fein, León Ferarri, Roland Flexner, Gajin Fujita, Alicia Mihai Gazcue, Alberto Giacometti, Max Gimblett, Nancy Graves, Zarina Hashmi, Tim Hawkinson, Eva Hesse, Kein Imao, Chusei Inagaki, Colter Jacobsen, Jacob Jordaens, Yokoi Kinkoku, Isabella Kirkland, David Klamen, Stefan Kürten, Crystal Liu, Antonio Lizárraga, José Antonio Suárez Londoño, Claire Lukas, Emil Lukas, Marco Maggi, Gerhard Mayer, Tyeb Mehta, Nasreen Mohamedi, John O’Reilly, Maruyama Okyo, Gabriel Orozco, Driss Ouadahi, Nam June Paik, Giovanni Battista Paggi, Raymond Pettibon, Yulia Pinkusevich, Liliana Porter, Ken Price, Angelina Pwerle, Lordy Rodriguez, Nagasawa Rosetsu, Ed Ruscha, Fred Sandback, Andrew Schoultz, Shahzia Sikander, Mark Tansey, Paul Thek, Ana Tiscornia, Ignacio Uriarte, Cornelius Völker, William T. Wiley, Hannah Wilke and William Wood.
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Jacob El HananiGauze, 2001ink on paper24 x 38 in
61 x 96.5 cm -
Mark TanseyAsphodel, 1991work on paper
8 3/8 x 11 in
21.3 x 27.9 cm -
Gerhard Mayer278, 2004ink on paper13 1/2 x 17 1/8 in
34.3 x 43.4 cm -
Nancy GravesGeological Survey, Egton, England, 1972gouache on paper22 1/2 x 30 in
57.1 x 76.2 cm -
Lordy RodriguezFlorida's 5th (Older), 2019ink on paper40 x 20 in
101.6 x 50.8 cm -
Gustavo Díazfrom the series Variaciones sobre un bosque hipotetico previo a la Gran Bifurcacion. Modelo 006/ Era Prearbolitica, 2018cut out paper and pencil17 x 12 in
43.2 x 30.5 cm -
Chusei InagakiTree, 191816 3/4 x 10 3/8 in
42.5 x 26.4 cm -
Rosetsu Nagasawa (1754-1799)Painting of Hotei on Ox, Edo (1603-1868)ink on paper
42 7/8 x 22 7/8 inches/109 x 58.2 cm
Painted between 1792 - 1799, when his chop was broken. He was a student of Maruyama Okyo. -
Jacob Jordaens (Antwerp, 1593-1678)Head of a Cheerful Man Wearing a Capred, black and white chalk on paper
watermark the arms of Amsterdam5 5/8 x 4 1/2 in
14.4 x 11.4 cm -
John O'ReillyFrench Greek Youth 1.1.16, 2016montage20 x 15 in
50.8 x 38.1 cm -
Tim HawkinsonTundo, 2019India ink on Yupo paper72 x 48 in
182.9 x 121.9 cm -
Alessandro Casolani (Siena, 1552-1606)Studies of Putti in various Poses (recto); Study of a Male and Female Figure, Study of a Face (verso)pen and ink (recto); black chalk, pen, brown ink and black ink (verso)8 x 10 1/2 in
20.3 x 26.7 cm -
Michael ButheUntitled, 1970watercolor, goldbronze and pencil on paper19 3/4 x 27 1/2 in
50.2 x 69.8 cm -
Bruce ConnerUNTITLED WICHITA, 1963ink on paper23 3/4 x 17 3/4 in
60.3 x 45.1 cm -
Nam June PaikUntitled, circa 1998crayon on paper14 x 17 in
35.6 x 43.2 cm -
Attributed to Bear's Heart (Nokkoist) (1851-1882) Southern Cheyenne, Central PlainsLedger Drawing, c. 1875-78watercolor, graphite and colored pencil on paper8 5/8 x 11 1/4 in
21.9 x 28.6 cm -
Cornelius VölkerPullover, 1997pencil and watercolor on paper20 1/2 x 14 3/4 in
52.1 x 37.5 cm -
Raymond PettibonInterpret It Wellink on paper17 x 11 in
43.2 x 27.9 cm -
Isabella KirklandDreamscape, 2011graphite on Arches hot pressed paper7 x 10 1/4 in
17.8 x 26 cm -
Liliana PorterTo Try Your Best, 2014acrylic and figurine on paper30 x 22 1/2 in
76.2 x 57.1 cm
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‘I Like Drawings”: A Conversation with Todd Hosfelt
Squarecylinder August 5, 2019Drawing, as Hosfelt has envisioned it, appears to have the structure of a decentralized network, patterned through endlessly overlapping family resemblances without any single center...Read more -
I’ll Bet Your Relationship To Art Began With A Crayon
A Gallerist's Musings July 25, 2019This installation – eighty-one artists, taken together — marks an effort to understand what “drawing” means, its emotional gravity. Cultures, continents and centuries apart… themes...Read more
