Frankenstein’s Birthday Party
2018 is the bicentennial of Mary Wollstonecraft Shelley’s novel, Frankenstein; or, The Modern Prometheus. Why does a 200-year-old ghost story continue to feel so relevant? It’s important to remember that the Frankenstein of Hollywood and pop culture – Boris Karloff, The Munsters or Rocky Horror Picture Show – is quite different from the novel. Beyond the fact that the tale has captured popular imagination, the novel’s lasting impact is grounded in the fact that it is a parable about human nature. And the most important question it asks is who is the real monster?
The exhibition begins, as it must, with contemporary artists looking at the body and our attempts to conquer death; advances in science and technology; the animation of objects or machines and artificial intelligence. Thence comes an examination of ambition that outstrips the ability to understand or control what we’ve created and finally, what happens when we don’t take responsibility for the consequences of our actions.
Central to both the novel and the curatorial stance of this exhibition is the failure to feel empathy for the ostensibly unlovable — the other. Who is to blame for the rage born of feelings of rejection and how do we expect that anger to play out in society?
Artists include Janine Antoni, Rina Banerjee, Louise Bourgeois, Julian Charrière, Edmund Clark, Bruce Conner, Russell Crotty, Tim Hawkinson, Isabella Kirkland, Barbara Kruger, Michael Light, John O’Reilly, Patricia Piccinini, Alan Rath, Kiki Smith, Surabhi Saraf and Cornelius Völker.
A performance by Surabhi Saraf – Awoke.ai : The Ritual – took place during the opening reception.
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Edmund ClarkAutopsy Table, Naval Base Mortuary, Guantanamo, 2009chromogenic print48 1/8 x 59 7/8 in
122.2 x 152.1 cm -
Janine Antonito return, 2015polyurethane resin37 x 17 x 17 in
94 x 43.2 x 43.2 cm -
Rina BanerjeeNative, migrant naturally, 2018vintage silk wedding sari with gold thread brocade, vintage brass claw furniture cap, steel, copper leaf, copper nails, wood, silk, cotton, sequins, gourd, polyester threads, wax, cowry shells, Victorian doll, eyelashes, silk trim, pheasant feathers on felt hat plates26 x 13 x 24 in
66 x 33 x 61 cm -
Patricia PiccininiEgg/Head, 2016silicone, human hair17 3/4 x 11 3/4 x 11 3/4 in
45.1 x 29.8 x 29.8 cm -
Tim HawkinsonTorso, 2018shopping bags, urethane foam20 x 12 x 8 in
50.8 x 30.5 x 20.3 cm -
John O'ReillyTo Patrick (1975-1997) #16, 1998polaroid montage9 1/2 x 7 1/4 in
24.1 x 18.4 cm -
John O'ReillyCircean Study #2, 1998polaroid montage8 1/4 x 7 3/8 in
20.8 x 18.6 cm -
John O'ReillyMused 2.09.91, 1991polaroid montage3 3/4 x 12 3/4 in
9.5 x 32.4 cm -
Kiki SmithRosary, 1994white bronze and silicon bronzeapprox. 86 inches in length/472.4 cm
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Isabella KirklandDolly's Perfectly Healthy Co-clones, 2018oil and alkyd on panel16 x 20 in
40.6 x 50.8 cm -
Isabella KirklandTransgenic Mice, 2018oil, alkyd, and phosphorescent pigment on panel12 x 16 in
30.5 x 40.6 cm -
Patricia PiccininiThe Struggle, 2017fiberglass, auto paint, leather, steel, scooter parts78 3/4 x 94 1/2 x 47 1/4 in
200 x 240 x 120 cm -
Alan RathEyeris IX, 2017birch plywood, acrylic, polyethylene, aluminum, custom electronics, LCDs87 x 60 x 10 in
221 x 152.4 x 25.4 cm -
Kiki SmithAnswer, 1996porcelain and wire2 1/2 x 12 1/2 x 2 7/8 in
6.3 x 31.8 x 7.3 cm -
John O'ReillyDada Kindergraphs, 1993polaroid and silver print photo montage7 3/4 x 15 in
19.7 x 38.1 cm -
John O'ReillyDouble in Marble, 1988polaroid montage3 3/4 x 8 1/4 in
9.5 x 21 cm -
John O'ReillyFrench Self-Portrait, 1991polaroid montage3 3/4 x 11 1/8 in
9.5 x 28.3 cm -
Janine Antonito twine, 2015polyurethane resin18 x 48 1/2 x 72 in
45.7 x 123.2 x 182.9 cm -
Tim HawkinsonPink Bike, 2010inkjet prints and urethane foam on panel52 x 41 in
132.1 x 104.1 cm -
Russell CrottyThe Moon is My Friend, 2018ink, acrylic, plastic, tinted bio-resin and fiberglass on paper on wood24 x 24 x 7/8 in
61 x 61 x 2.2 cm -
Alan RathCreature II, 2012aluminum, FR-4, Delrin, custom electronics, motor, feather, LCD25 x 13 x 44 in
63.5 x 33 x 111.8 cm -
Edmund ClarkCamp 6, Mobile Force-feeding Chair, Guantanamo, 2009chromogenic print59 7/8 x 48 1/8 in
152.1 x 122.2 cm -
William T. WileyCartoon for the Dreamer, 1986pencil and crayon on paper64 x 59 1/4 in
162.6 x 150.5 cm -
Surabhi SarafAwoke, 2018, 2018two BrightSign players, iridescent acrylic and molded foam62 3/8 x 38 x 21 in
158.4 x 96.5 x 53.3 cm -
Julian CharrièreAn Invitation to Disappear - Sorong, 2018pigment print59 1/8 x 73 7/8 in
150.2 x 187.6 cm -
Michael Light100 SUNS: 037 ZUCCHINI, 2003pigment print mounted on aluminum16 x 19 3/4 in
40.6 x 50.2 cm -
Michael Light100 SUNS: 098 APACHE, 2003pigment print mounted on aluminum32 x 40 in
81.3 x 101.6 cm -
Michael Light100 SUNS: 091 APACHE, 2003pigment print mounted on aluminum24 x 30 in
61 x 76.2 cm -
Michael Light100 SUNS: 063 KING, 2003pigment print mounted on aluminum16 x 20 in
40.6 x 50.8 cm -
Michael Light100 SUNS: 035 PRISCILLA, 2003pigment print mounted on aluminum12 1/4 x 16 in
31.1 x 40.6 cm -
Patricia PiccininiThe Comforter, 2010silicone, fiberglass, steel, fox fur, human hair, clothing23 5/8 x 31 1/2 x 31 1/2 in
60 x 80 x 80 cm -
Edmund ClarkThe Mountains of Majeed 5, 2014chromogenic print44 7/8 x 59 7/8 in
114 x 152.1 cm -
Bruce ConnerBOMBHEAD, 2002/1989pigment and acrylic on paper
a printer's proof aside from the edition of 2038 3/8 x 31 1/8 in
97.5 x 79.1 cm -
Cornelius VölkerHeckler & Koch USP, 2014oil on canvas39 3/8 x 41 3/8 in
100 x 105.1 cm -
Michael Light100 SUNS: 054 ERIE, 2003pigment print mounted on aluminum12 1/4 x 16 in
31.1 x 40.6 cm