Overview

San Francisco's Bruce Conner is one of the most important artists of the late 20th Century - pioneering art-making in sculpture, drawing, photography, collage and video.  In Wayfinding, Hosfelt Gallery brings together a group of exquisite drawings made with "magic" marker between 1963 and 1975 that follow just one of Conner's many aesthetic and conceptual paths.

 

Drawing was always a central part of Conner's more than 50-year practice, but the 1963 introduction of the Pentel felt-tip watercolor marker was a game changer.  Instead of constantly refilling the nib with ink, the "magic" marker enabled him to draw a continuous line without lifting pen from paper.  At first this led to frenetic, hatch-like marks, which both define and veil representational images.  By 1965, Conner developed an automatic drawing technique that could be used wherever he was.  This method of working involved a combination of curving, straight and zig-zagging lines that never intersected and were so tightly packed the negative space between them was often narrower than the lines themselves.  The negative/positive play between the black lines/white spaces creates an optical flicker comparable to the retinal effects Conner contemporaneously explored in his films.

 

Often psychedelic, these drawings informed the zeitgeist of the "Summer of Love" - energetic, innovative and tumultuous, but at the same time introspective and spiritual.   Formally and stylistically varied, some follow Paul Klee's adage that a line is "a dot that went for a walk," others resolve into mandalas, maps or labyrinths.  They reflect a culture in the midst of change, attempting to break with its past and searching for a way forward, as well as an artist attempting to navigate his course through life. 

 

Bruce Conner's (1933-2008) work has been exhibited in and collected by major museums throughout the world, most recently and completely in the retrospective exhibition and major catalogue of his work, It's All True, which was presented at the San Francisco Museum of Modern Art, the Museum of Modern Art, New York, and the Museo Nacional Centro de Arte Reina Sofia, Madrid.

 

Join us for a reception for the exhibition, Saturday December 14, from 3:00 to 5:00 pm.

Works
  • Bruce Conner UNTITLED MAY 9, 1975, 1975 ink on paper 11 1/8 x 11 1/4 in 28.3 x 28.6 cm
    Bruce Conner
    UNTITLED MAY 9, 1975, 1975
    ink on paper
    11 1/8 x 11 1/4 in
    28.3 x 28.6 cm
  • Bruce Conner LANDSCAPE SEPTEMBER 15, 1965, 1965 felt-tip pen on paper 26 1/8 x 20 in 66.4 x 50.8 cm
    Bruce Conner
    LANDSCAPE SEPTEMBER 15, 1965, 1965
    felt-tip pen on paper
    26 1/8 x 20 in
    66.4 x 50.8 cm
  • UNTITLED FEBRUARY 28, 1967 is mounted and framed
    Bruce Conner
    UNTITLED FEBRUARY 28, 1967, 1967
    felt-tip pen on paper
    13 1/4 x 11 in
    33.7 x 27.9 cm
  • Bruce Conner UNTITLED D-8, 1968 felt-tip pen on paper 22 1/2 x 16 1/2 in 57.1 x 41.9 cm
    Bruce Conner
    UNTITLED D-8, 1968
    felt-tip pen on paper
    22 1/2 x 16 1/2 in
    57.1 x 41.9 cm
  • Bruce Conner UNTITLED APRIL 1, 1968, 1968 felt-tip pen on paper 22 5/8 x 16 1/2 in 57.5 x 41.9 cm
    Bruce Conner
    UNTITLED APRIL 1, 1968, 1968
    felt-tip pen on paper
    22 5/8 x 16 1/2 in
    57.5 x 41.9 cm
  • Bruce Conner UNTITLED 8/25/72, 1972 pen and ink on paper 29 7/8 x 22 1/8 in 75.9 x 56.2 cm
    Bruce Conner
    UNTITLED 8/25/72, 1972
    pen and ink on paper
    29 7/8 x 22 1/8 in
    75.9 x 56.2 cm
  • Black ink on beige paper; living room scene with armchair, rug and end table, with pattered wall behind. Shapes are formed by erratic and heavy line work.
    Bruce Conner
    STILL LIFE WICHITA, 1963
    felt-tip pen on paper
    23 3/4 x 17 3/4 in
    60.3 x 45.1 cm
  • Bruce Conner PRINCESS PERSEPHONE, 1963 felt-tip pen on paper 23 3/4 x 17 3/4 in 60.3 x 45.1 cm
    Bruce Conner
    PRINCESS PERSEPHONE, 1963
    felt-tip pen on paper
    23 3/4 x 17 3/4 in
    60.3 x 45.1 cm
  • Bruce Conner WICHITA, 1963 felt-tip pen on paper 23 3/4 x 17 3/4 in 60.3 x 45.1 cm
    Bruce Conner
    WICHITA, 1963
    felt-tip pen on paper
    23 3/4 x 17 3/4 in
    60.3 x 45.1 cm
  • A dark grey and white abstract painting featuring a black stick figure cross.
    Bruce Conner
    UNTITLED NOVEMBER 5, 1963, 1963
    felt-tip pen on paper
    26 1/4 x 20 in
    66.5 x 50.8 cm
  • Bruce Conner UNTITLED, 1967 felt-tip pen on paper 5 x 3 in 12.7 x 7.6 cm
    Bruce Conner
    UNTITLED, 1967
    felt-tip pen on paper
    5 x 3 in
    12.7 x 7.6 cm
  • UNTITLED MAY2, 1968, framed
    Bruce Conner
    UNTITLED MAY 2, 1968, 1968
    felt-tip pen on paper
    17 7/8 x 15 1/8 in
    45.4 x 38.4 cm
  • Bruce Conner UNTITLED, 1974 felt-tip pen on paper 4 1/4 x 4 1/4 in 10.8 x 10.8 cm
    Bruce Conner
    UNTITLED, 1974
    felt-tip pen on paper
    4 1/4 x 4 1/4 in
    10.8 x 10.8 cm
  • Abstract black and white drawing, suggesting fibrous network
    Bruce Conner
    UNTITLED AUGUST 7, 1975, 1975
    ink on paper
    22 1/8 x 29 7/8 in
    56.2 x 75.9 cm
Installation Views