Rina Banerjee: Human Likeness
Kolkata-born and New York-based, Rina Banerjee fills the entire gallery with her fantastical, immoderate sculptures and delicately swirling paintings in an exhibition that seeks to describe the human experience in an era of unprecedented migration and interconnectedness.
Banerjee’s sculptures are shamanistic assemblages of textiles, feathers, sparkling glass and tinkling bells. Beaded, embroidered and sensuously monstrous, they wantonly conjoin the exotic and rare with the cheap and mass-produced — rejecting conventional hierarchies of material and culture. In her paintings, chimeric female forms dance and float through vibrant, bountiful landscapes in states of hybrid transformation.
In a post-colonial, global world, identity — racial, cultural or gender — is no longer easily defined. In this exhibition, Banerjee offers up the optimistic possibility of a world freed from the constraints of conventional standards of beauty, worth, social pecking order and what is “proper.” We live in a moment of singular opportunity, Banerjee posits, a moment when it is possible for individuals to define themselves in a way that is truly authentic.
Rina Banerjee (b. 1963, Kolkata, India) received a BS in Polymer Engineering and worked as a research chemist before completing her MFA at Yale in 1995. Recent solo museum exhibitions include the Smithsonian Museum’s Sackler Galleries (Washington DC) and the Musée Guimet (Paris). Her work was included in the 2000 Whitney Biennial, the 2005 and 2015 Greater New York Shows at PS1/MOMA, the 2013 Venice Biennale’s White Light/White Heat at the Glasstress Museum, the 2015 Asian Art Biennial at the National Taiwan Museum of Fine Arts (Taichung) and the 2016 Busan Biennial, South Korea. Her work will be included in this year’s Prospect 4 New Orleans Biennial. Her work is in the collections of the Devi Art Foundation (New Delhi), Kiran Nadar Museum (New Delhi), Centre Georges Pompidou (Paris), the Whitney Museum of American Art (New York), The Brooklyn Museum (New York), Berkeley Art Museum (Berkeley, CA), San Francisco Museum of Modern Art, Hammer Museum (Los Angeles), and many others.
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Rina BanerjeeIn green, iridescent girls, girls in bathing suits like beetles upon roses, petal to petal and then bush. Girls fell upon beaches girls and mothers why not sisters too with boys and men and why not this too. She was faulted at 7 years of age showing flesh, 2015ink, acrylic & 23kt gold on paper14 x 10 inches
20 1/4 x 16 1/2 inches framed -
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Rina BanerjeeIn transparent soil she spoke to welcome her other more mouthy voice , sliced open tunnel, mountain and air, tugged, tumbled even tackled to rise lighter, higher more quicker knocking who?, 2015ink, acrylic and copper on paper66 x 45 3/4 inches
69 x 48 inches framed -
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Rina BanerjeeFriendly Fire, 2015steel structure, textiles, beads, feathers, thread, bulbs58 x 48 x 32 in
147.3 x 121.9 x 81.3 cm -
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