Overview

Hosfelt Gallery, New York

 

Hosfelt Gallery’s summer group exhibition addresses the porous nature of identity and reality.

 

Every living organism is encased by a semi-permeable boundary. This delicate, thin layer between self and other is what essentially enables us to believe that we are unique and separate beings. Psychologically, this membrane presents the comforting illusion of protection, despite the ease with which it can be penetrated.

 

As much as we strive to create an identity, at some point we recognize the mutability of self, and the profound influence affected on us by the outside world, that forever changes us, and effectively becomes part of us. Similarly, the outside world – reality – is deceptively volatile, formed as it is by our perceptions. The artists in this exhibition in some way expose the holes, gaps, penetrations, mutations, infusions, and interconnections between the self and the phenomenon we call reality.

Works
  • Thick abstract pattern is formed with white and light colored criss-crossing lines, circles and grid patterns atop a dark background, filling almost the entire composition.
    Jutta Haeckel
    Ways, 2011
    watercolor and oil on linen
    63 x 78 3/4 in
    160 x 200 cm
  • White and pastel lines swirl into tight curls and curve loosely across a dark background, almost completely covering the canvas in a thick web. Near the middle of the canvas, a white triangle is visible beneath the web.
    Jutta Haeckel
    Kosmische Architektur, 2008
    acrylic and oil on canvas
    98.5 x 74.86 inches
    250 x 190 cms
  • Against a brown and white background, yellow lines criss-cross the canvas creating a cacophony of lines and shapes.
    Jutta Haeckel
    Alliance, 2010
    oil on canvas
    59.02 x 47.28 inches
    149.8 x 120 cms
  • Sculpture of the artist’s cast knee which is covered in a denim like blanket to resemble a giant section of a leg wearing fitted jeans with a hole at the knee. At the knee joint the large frayed hole reveals the underlying body cast which has multiple red and various sized paint circles alluding to the image of a freshly skinned knee
    Tim Hawkinson
    Skinned Knee, 2009
    acrylic, blanket, bond, mop, resin, and rope
    74 x 27 x 39 in
    188 x 68.6 x 99.1 cm
  • Driss Ouadahi, Red Garden, 2011
    Driss Ouadahi, Red Garden, 2011
  • Dark abstract urban landscape with multiple grayscale high rise buildings and streets with small areas of green scape A multi-colored grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Shadows in the Sky, 2011
    oil on linen
    86 5/8 x 74 3/4 in
    220 x 190 cm
  • Shahzia Sikander Interstitial-Photographic Series [b], 2012 C-print 24 x 39 in 61 x 99.1 cm
    Shahzia Sikander
    Interstitial-Photographic Series [b], 2012
    C-print
    24 x 39 in
    61 x 99.1 cm
  • Shahzia Sikander Interstitial-Photographic Series [c], 2012 C-print 24 x 39 in 61 x 99.1 cm
    Shahzia Sikander
    Interstitial-Photographic Series [c], 2012
    C-print
    24 x 39 in
    61 x 99.1 cm
  • Shahzia Sikander Interstitial-Photographic Series [d], 2012 C-print 24 x 39 in 61 x 99.1 cm
    Shahzia Sikander
    Interstitial-Photographic Series [d], 2012
    C-print
    24 x 39 in
    61 x 99.1 cm
  • Black and white layered image in which background depicts a forest landscape with a ruler and a paintbrush vertically splitting the scene. To the left of the canvas, layered over the forest scene is a sketch of a seated nude male body from the back. Photograph of artist’s self portrait is layered over the sketch to create the torso and head of the body.
    John O'Reilly
    Studio Idyll, 1987/96
    polaroid montage
    4 x 3.75 inches
    10.16 x 9.525 cms
  • Man wearing suit with glasses (artist’s self portrait) holds photograph of nude male body in front of his torso and legs. Behind him is a rounded mirror and a guitar.
    John O'Reilly
    Artist-Model, 1984
    Polaroid
    3.75 x 2.875 inches
    9.525 x 7.3025 cms
  • Collage of black and white photos depicting nature scenes, marble sculptures with drapery, and the interior of a house.
    John O'Reilly
    Dancers 8-21-04, 2004
    Polaroid Montage
    5.375 x 24.5 inches
    13.6525 x 62.23 cms
  • Photo collage of black and white scenes including a young boy in a tub, an ancient Egyptian sculpture in profile, a lion, a cloudy night sky and a room with debris.
    John O'Reilly
    Four Sailors 1-6-05, 2004
    Polaroid Montage
    7.875 x 20.5 inches
    20.0025 x 52.07 cms
  • Black and white collage of items and photographs including an Egyptian sphinx, patterned wallpaper, a mirror, fabric draped across the scene and a priest.
    John O'Reilly
    Jeffrey [from the Henry James Series], 2007
    polaroid montage
    13.125 x 12.4375 inches
    33.3 x 31.6 cms
  • Collage of forest scenes including trees and rocks. A black and white horse’s hoof and leg is floating in front of the background near the bottom right of the composition.
    John O'Reilly
    Dead Centaur - Of Cormac McCarthy, 2008
    Polaroid and color coupler print montage
    8.5626 x 13.125 inches
    21.7 x 33.3 cms
  • Colorful collage of photographs of marble sculptures with ornate drapery and images of rocks in nature.
    John O'Reilly
    Dogtown-Hartley Series 1-26-10, 2010
    polaroid, color coupler print, halftone
    12 7/16 x 17 in
    31.6 x 43.2 cm
    21.5 x 25.5 inches framed
  • Collage of photographs of rocks in nature, a man in the ocean with his arms outstretched overhead, a staircase and a colorful image of Christ.
    John O'Reilly
    Studio Landscape Dogtown-Hartley Series 12-3-08, 2008
    polaroid, color coupler print, halftone, gelatin silver print
    18 3/4 x 10 5/16 in
    47.6 x 26.2 cm
    19 x 27 inches framed
  • Superimposed over Italian Renaissance artist Correggio’s Jupiter and Io is an image of two boys wrestling.
    John O'Reilly
    Wrestlers 9-2-08, 2008
    halftone, color coupler print
    9 3/8 x 4 1/2 in
    23.8 x 11.4 cm
    18 x 12 inches framed
  • Two young boys in wrestling uniforms are wrestling on a bed similar to the one depicted in Titian’s Venus of Urbino. In the background, a man in Renaissance dress is depicted from the back with an ornate landscape setting.
    John O'Reilly
    Wrestlers 12-16-08, 2008
    halftone, color coupler print
    5 13/16 x 3 9/16 in
    14.8 x 9 cm
    12 x 14 inches framed
  • Abstracted collage of a nude body and other colorful, patterned shapes.
    John O'Reilly
    After a Bath 1-3-10, 2010
    halftone montage
    10 5/8 x 8 1/2 in
    27 x 21.6 cm
    18.5 x 16 inches framed
  • Baseera Khan Reductive Histories of Saag Paneer, 2009 acrylic ink on paper 45.5 x 89.5 inches 115.6 x 227.3 cms
    Baseera Khan
    Reductive Histories of Saag Paneer, 2009
    acrylic ink on paper
    45.5 x 89.5 inches
    115.6 x 227.3 cms
  • NAOMIE KREMER Cave Painting, 2008 oil on linen 65 x 75 inches 165.1 x 190.5 cms
    NAOMIE KREMER
    Cave Painting, 2008
    oil on linen
    65 x 75 inches
    165.1 x 190.5 cms
  • Beams of golden light shine down on two-story brick house with yellow awning and trees in the front yard.
    Stefan Kürten
    Borders, 2008
    pigmented gesso on linen
    35 1/2 x 43 3/8 inches/90.1 x 110.1 cm
  • Vertical lines of stacked stars float over street scene of cars parked on cobblestone road with trees and blue sky in the background.
    Stefan Kürten
    Will you still love me tomorrow, 2009
    oil and pigmented gesso on linen
    23.64 x 19.7 inches
    60 x 50 cms
  • From the atrium of a commercial building, stairs and balconies wrap around the canvas. Strings of dense gold lights and silver stars hang down from the ceiling.
    Stefan Kürten
    Falls, 2009
    oil and pigmented gesso on linen
    23.64 x 19.7 inches
    60 x 50 cms
  • Through glass doors, modern living space with brick mantel is visible. In front of glass doors is small artificial pond and brick wall. Shrubbery peeks into the scene from the right corner of the composition.
    Stefan Kürten
    Time After Time, 2005
    oil and pigmented gesso on canvas
    57 x 75 inches
    144.8 x 190.5 cms
  • Layers of multi-colored threads strung across a rectangular wooden and plaster panel create the effect of a large light green glowing center that is enclosed by a thin dark green border
    Emil Lukas
    Lightning Bug, 2010
    thread over frame, paper, nails
    32 x 24 x 2 1/2 inches/81.3 x 61 x 6.3 cm